I’m a ghostwriter and editorial strategist based in New York City who works with authors, experts, and organizations looking to bring stories and complex ideas into focus.

I began my career in international journalism, where I learned how to enter unfamiliar worlds quickly, anticipate the next question, test assumptions, and find structure and clarity in complicated material. I’ve produced debates and interviews with prime ministers, Nobel Prize winners, and world-renowned intellectuals for Al Jazeera, reported for outlets including The New York Times and the United Nations, and edited for Le Monde. I’ve lived and worked in Europe, the Middle East, New York City, Washington, DC, and Los Angeles.

Those experiences have shaped the way I work today. I approach a book or editorial project with the instincts of a writer, interviewer, and strategist: listening closely, pursuing unexpected threads, interrogating what doesn’t quite hold together, and looking for the stories, arguments, and insights buried in years of experience, research, and thought.

My work has included ghostwriting for Grammy and Academy Award winners and supporting authors published by the Big Five and leading academic presses. As a strategist, I’ve developed social-impact work for companies such as Apple TV+, built high-stakes national political campaigns from the ground up, and advised philanthropic and mission-driven organizations including Pivotal Ventures and the Mellon Foundation.

In each case, the work is about finding the clearest, most powerful form for an idea so it can reach the people whose lives it has the potential to change.

Sometimes that means helping an author turn a lifetime of experience into a book with a clear narrative and a voice that feels entirely their own. Sometimes it means helping an organization determine what it actually wants to say, strengthening the thinking behind it, and building an editorial strategy around those ideas.

I’m most useful when there is a lot to work with but no obvious path through it yet: when the material is sprawling, the stakes are high, or the idea needs architecture.

My job is to bring clarity and structure to complexity without diminishing what makes it original, so the work can stand on its own and do what it was meant to do.